纸上成真四时花神衣谱写实设计稿
生成一张《纸上成真 · 四时花神衣谱》风格图片,4:5 竖版。 主题为【桃花神 / 荷花神 / 桂花神 / 梅花神】。画面是一张高级米白色花神服饰设定稿纸夹在木质画板上,放在温暖木色设计工作台上。一位写实成年中国女性从纸上的花神服饰设定稿中自然立起,形成“纸上成真”的视觉错觉。 人物必须全身完整出镜,但人物仍然占据画面主体,脸部和眼神清晰可见,不要缩得太小。人物写实自然,皮肤白皙但有真实皮肤纹理,不要动漫脸、硅胶皮肤、塑料皮肤和过度磨皮。眼神直接与镜头互动,像刚从纸页中醒来。 人物上半身明显高于纸面,不是平铺插画。头部、肩颈、胸腔、腰部、胯部、双腿和脚部有真实体积、空间高度和自然投影。姿态不要站得太正,要有轻微扭转、偏移和重心变化,一条腿受力,一条腿自然放松或前伸。一只手轻撑纸面,另一只手轻扶花枝、发饰、披帛或裙摆。 服饰为东方花神高定设计,花瓣、枝叶、花萼、花芯和花枝结构要融入头饰、肩饰、袖口、腰线、裙摆和披帛,不要只把花当背景。整体清透、轻盈、有呼吸感,有轻纱、花瓣层叠、枝叶走势和自然流动感。 画面过渡方式:人物脸部、上半身、双腿和主要服装为完整写实成品;裙摆、披帛和花枝主体可带少
- Category
- Charts & Infographics
- Model
- ChatGPT
- Creator
- @MrLarus
- Source language
- zh-CN
- Source ID
- 17271
- Published
- Jul 2, 2026
Full prompt
Generate an image in the style of "Paper to Reality: Four Seasons Flower Goddess Raiment," 4:5 vertical ratio. The theme is [Peach Blossom Goddess / Lotus Goddess / Osmanthus Goddess / Plum Blossom Goddess]. The scene is a high-end off-white flower goddess clothing design manuscript paper clipped to a wooden drawing board, placed on a warm wood-toned design workbench. A realistic adult Chinese female naturally rises from the flower goddess clothing design manuscript on the paper, creating a "paper coming to life" visual illusion. The character must appear in a full-body shot, but still occupy the main subject of the frame, with the face and eyes clearly visible, not shrunk too small. The character is realistic and natural, with fair skin but real skin texture, no anime faces, silicone skin, plastic skin, or excessive skin smoothing. The gaze interacts directly with the camera, as if just waking up from the paper page. The character's upper body is significantly higher than the paper surface, not a flat illustration. The head, shoulders, neck, chest, waist, hips, legs, and feet have real volume, spatial height, and natural shadows. The posture should not be too upright; there should be slight twists, offsets, and center-of-gravity shifts, with weight on one leg and the other leg naturally relaxed or extended forward. One hand lightly supports on the paper surface, and the other hand gently holds a flower branch, hair ornament, silk drape, or skirt hem. The clothing is a high-fashion oriental flower goddess design, where petals, branches, leaves, calyxes, stamens, and branch structures must be integrated into the headwear, shoulder decorations, cuffs, waistlines, skirt hems, and silk drapes, rather than just having flowers as a background. The overall look is transparent, light, and breathable, with light gauze, overlapping petals, branch growth trends, and a sense of natural flow. Transition method: The character's face, upper body, legs, and main clothing are complete realistic finished products; the skirt hem, silk drape, and main body of the flower branches can have a small amount of light-colored hand-painted texture; only the ends of the skirt hem, the ends of the silk drape, the ends of the flower branches, the edges of the petals, and the pencil area in the lower right corner retain unfinished pencil lines. In the lower right corner, there is a real human hand holding a pencil, continuing to draw sketches near the petals, skirt hem, flower branches, and footwear. All text, arrows, annotations, and small patterns on the paper must be in a pencil-handwritten sketch style, no printed fonts, no LOOK numbering. Can write: petal structure, branch and leaf trends, color records, skirt layers, hem unfinished. Add color swatches, flower branch sketches, light gauze fabric samples, small pearl accessories, pencils, technical pens, and ceramic teacups corresponding to the flower goddess theme on the desktop. The overall style is realistic, clear, high-end, and light, with the aesthetic beauty of an oriental flower goddess and the visual illusion of paper coming to life. Avoid cartoons, anime faces, silicone skin, plastic feel, cheap ancient-style photoshoots, ordinary flower fairy feel, characters being too small, overly upright standing postures, dull gazes, abnormal hands and feet, full-body flat drawings, excessively large hand-painted areas, mottled colors, and low resolution.
Translations
纸上成真四时花神衣谱写实设计稿
enGenerate an image in the style of "Paper to Reality: Four Seasons Flower Goddess Raiment," 4:5 vertical ratio. The theme is [Peach Blossom Goddess / Lotus Goddess / Osmanthus Goddess / Plum Blossom Goddess]. The scene is a high-end off-white flower goddess clothing design manuscript paper clipped to a wooden drawing board, placed on a warm wood-toned design workbench. A realistic adult Chinese female naturally rises from the flower goddess clothing design manuscript on the paper, creating a "paper coming to life" visual illusion. The character must appear in a full-body shot, but still occupy the main subject of the frame, with the face and eyes clearly visible, not shrunk too small. The character is realistic and natural, with fair skin but real skin texture, no anime faces, silicone skin, plastic skin, or excessive skin smoothing. The gaze interacts directly with the camera, as if just waking up from the paper page. The character's upper body is significantly higher than the paper surface, not a flat illustration. The head, shoulders, neck, chest, waist, hips, legs, and feet have real volume, spatial height, and natural shadows. The posture should not be too upright; there should be slight twists, offsets, and center-of-gravity shifts, with weight on one leg and the other leg naturally relaxed or extended forward. One hand lightly supports on the paper surface, and the other hand gently holds a flower branch, hair ornament, silk drape, or skirt hem. The clothing is a high-fashion oriental flower goddess design, where petals, branches, leaves, calyxes, stamens, and branch structures must be integrated into the headwear, shoulder decorations, cuffs, waistlines, skirt hems, and silk drapes, rather than just having flowers as a background. The overall look is transparent, light, and breathable, with light gauze, overlapping petals, branch growth trends, and a sense of natural flow. Transition method: The character's face, upper body, legs, and main clothing are complete realistic finished products; the skirt hem, silk drape, and main body of the flower branches can have a small amount of light-colored hand-painted texture; only the ends of the skirt hem, the ends of the silk drape, the ends of the flower branches, the edges of the petals, and the pencil area in the lower right corner retain unfinished pencil lines. In the lower right corner, there is a real human hand holding a pencil, continuing to draw sketches near the petals, skirt hem, flower branches, and footwear. All text, arrows, annotations, and small patterns on the paper must be in a pencil-handwritten sketch style, no printed fonts, no LOOK numbering. Can write: petal structure, branch and leaf trends, color records, skirt layers, hem unfinished. Add color swatches, flower branch sketches, light gauze fabric samples, small pearl accessories, pencils, technical pens, and ceramic teacups corresponding to the flower goddess theme on the desktop. The overall style is realistic, clear, high-end, and light, with the aesthetic beauty of an oriental flower goddess and the visual illusion of paper coming to life. Avoid cartoons, anime faces, silicone skin, plastic feel, cheap ancient-style photoshoots, ordinary flower fairy feel, characters being too small, overly upright standing postures, dull gazes, abnormal hands and feet, full-body flat drawings, excessively large hand-painted areas, mottled colors, and low resolution.
纸上成真四时花神衣谱写实设计稿
zh-CN生成一张《纸上成真 · 四时花神衣谱》风格图片,4:5 竖版。 主题为【桃花神 / 荷花神 / 桂花神 / 梅花神】。画面是一张高级米白色花神服饰设定稿纸夹在木质画板上,放在温暖木色设计工作台上。一位写实成年中国女性从纸上的花神服饰设定稿中自然立起,形成“纸上成真”的视觉错觉。 人物必须全身完整出镜,但人物仍然占据画面主体,脸部和眼神清晰可见,不要缩得太小。人物写实自然,皮肤白皙但有真实皮肤纹理,不要动漫脸、硅胶皮肤、塑料皮肤和过度磨皮。眼神直接与镜头互动,像刚从纸页中醒来。 人物上半身明显高于纸面,不是平铺插画。头部、肩颈、胸腔、腰部、胯部、双腿和脚部有真实体积、空间高度和自然投影。姿态不要站得太正,要有轻微扭转、偏移和重心变化,一条腿受力,一条腿自然放松或前伸。一只手轻撑纸面,另一只手轻扶花枝、发饰、披帛或裙摆。 服饰为东方花神高定设计,花瓣、枝叶、花萼、花芯和花枝结构要融入头饰、肩饰、袖口、腰线、裙摆和披帛,不要只把花当背景。整体清透、轻盈、有呼吸感,有轻纱、花瓣层叠、枝叶走势和自然流动感。 画面过渡方式:人物脸部、上半身、双腿和主要服装为完整写实成品;裙摆、披帛和花枝主体可带少量淡彩手绘质感;只有裙摆末端、披帛尾端、花枝尾端、花瓣边缘和右下角铅笔区域保留未完成铅笔线条。 右下角有一只真实的人手拿着铅笔,正在继续绘制花瓣、裙摆、花枝和鞋履附近的草稿。纸面所有文字、箭头、注释、小图案都必须是铅笔手写草稿风,不要印刷体,不要 LOOK 编号。可写:花瓣结构、枝叶走势、色彩记录、裙摆层次、下摆未完成。 桌面加入对应花神主题的色卡、花枝草图、轻纱布样、珍珠小饰件、铅笔、针管笔、陶瓷茶杯。整体写实、清晰、高级、轻盈,有东方花神美感和纸上成真的视觉错觉。 避免卡通、动漫脸、硅胶皮肤、塑料感、廉价古风写真、普通花仙子感、人物太小、站姿过正、眼神呆滞、手脚异常、全身平面画、手绘区域过大、颜色斑驳、低清晰度。













