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从米兰到戛纳的 Storyboard 项目表

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从米兰到戛纳的 Storyboard 项目表 1
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从米兰到戛纳的 Storyboard 项目表

一张手绘风格的六格电影感 Storyboard 项目表,用于讲述一段前往电影节的旅程,包含说明文字和制作图标。

Category
Charts & Infographics
Model
GPT Image 2
Creator
Lilidi · AI
Source language
en
Views0
Source ID
21109
Published
May 17, 2026
Use in StudioOpen source

Full prompt

Goal: Create a hand-drawn cinematic storyboard sheet about a woman traveling from Milan to Cannes with a hard drive, drawn like a rough pencil-and-colored-pencil production board.

Canvas: Landscape 16:9 off-white paper background, slightly textured, scanned sketchbook look. Use thin red-orange borders for all storyboard frames and the bottom icon strip. The drawing style is loose graphite pencil with soft pale blue, gray, tan, and muted red washes; imperfect perspective, visible sketch lines, handwritten lettering, and intentionally misspelled storyboard notes.

Header: Across the top in large uneven black hand-lettering, write “FROM MILANO TO CANNES - STORYBOBARD”. In the top-right corner add a small rounded rectangle label with the handwritten text “2 BOSIS → TO AVE”.

Layout: Use exactly 6 main storyboard panels arranged in 2 rows of 3 panels. Each panel has a thin red-orange rectangular border and a short handwritten caption beneath it. Number the panels visibly as 1, 2, 3, 4, 6, and 7, preserving the skipped numbering. Use a recurring young woman protagonist, {argument name="character name" default="an unnamed woman"}, with shoulder-length dark hair and a simple sleeveless or short-sleeved top; her face may be softly blurred or minimally detailed.

Panel details and captions:
1. Interior desk scene: the woman sits side-on at a table with an open laptop, a small bowl or cup, and a soft city view through tall windows. Caption: “FINAL CUT S AM, AND FEMJUER- OUR PBSY FILR IN A TOLAND AFSAGMENT”.
2. Close-up of a hand resting on a bag or jacket, beside a small labeled hard drive or tag. Caption: “ONE HARD DRIVE, ONE LANVARD UNE SHOT.”
3. Coastal road arrival scene with palm trees, a blue road or sea, and distant Cannes-like buildings. Caption: “THE GOAST UNROALS ITALY BECOMES FRANCE,”.
4. Street on the Croisette: the woman seen from behind near palm trees, a car, a pale building façade, and a small roadside sign. Caption: “CANNE’S THE CROISEITE, HEART FOUNDING.”
6. The woman viewed from behind looking up at a cinema or festival building sign with scribbled lettering. Caption: “THERE. HFE MANE. THE BOROO.^ THREE TIMES. TO BELIEVE IT.”
7. Red carpet hallway or grand interior: the woman stands in profile looking upward, surrounded by sketchy crowds on both sides and a red carpet leading forward. Caption: “TWENTY FOUR STEPS EVERY FLASH A TEAR OF WORK.”

Bottom strip: Add one long horizontal red-orange bordered strip divided into exactly 10 small rectangular cells, each containing a tiny rough icon and a handwritten label beneath. From left to right: 1) small capsule/drive icon labeled “CAPYERA PRAME MOTION.”, 2) curved arrow and letters labeled “SI REEKE.”, 3) fast arrow mark with no separate large caption beyond the strip alignment, 4) diamond/eye shape labeled “DIRECTON.”, 5) small lips/oval icon with no extra caption, 6) tilted square labeled “FORCE”, 7) star labeled “CURRENT”, 8) outlined star labeled “MAGIC:”, 9) rounded rectangle labeled “APPEARANCE”, 10) small flag/lightning mark labeled “MAGIC”.

Visual constraints: Keep all text hand-drawn, uneven, and slightly nonsensical as if drafted quickly in a storyboard notebook. Maintain muted handmade texture, no photorealism, no clean digital UI, no watermark, and do not add extra storyboard panels beyond the 6 main panels and 10 bottom icon cells.
Translations

从米兰到戛纳的 Storyboard 项目表

en

Goal: Create a hand-drawn cinematic storyboard sheet about a woman traveling from Milan to Cannes with a hard drive, drawn like a rough pencil-and-colored-pencil production board. Canvas: Landscape 16:9 off-white paper background, slightly textured, scanned sketchbook look. Use thin red-orange borders for all storyboard frames and the bottom icon strip. The drawing style is loose graphite pencil with soft pale blue, gray, tan, and muted red washes; imperfect perspective, visible sketch lines, handwritten lettering, and intentionally misspelled storyboard notes. Header: Across the top in large uneven black hand-lettering, write “FROM MILANO TO CANNES - STORYBOBARD”. In the top-right corner add a small rounded rectangle label with the handwritten text “2 BOSIS → TO AVE”. Layout: Use exactly 6 main storyboard panels arranged in 2 rows of 3 panels. Each panel has a thin red-orange rectangular border and a short handwritten caption beneath it. Number the panels visibly as 1, 2, 3, 4, 6, and 7, preserving the skipped numbering. Use a recurring young woman protagonist, {argument name="character name" default="an unnamed woman"}, with shoulder-length dark hair and a simple sleeveless or short-sleeved top; her face may be softly blurred or minimally detailed. Panel details and captions: 1. Interior desk scene: the woman sits side-on at a table with an open laptop, a small bowl or cup, and a soft city view through tall windows. Caption: “FINAL CUT S AM, AND FEMJUER- OUR PBSY FILR IN A TOLAND AFSAGMENT”. 2. Close-up of a hand resting on a bag or jacket, beside a small labeled hard drive or tag. Caption: “ONE HARD DRIVE, ONE LANVARD UNE SHOT.” 3. Coastal road arrival scene with palm trees, a blue road or sea, and distant Cannes-like buildings. Caption: “THE GOAST UNROALS ITALY BECOMES FRANCE,”. 4. Street on the Croisette: the woman seen from behind near palm trees, a car, a pale building façade, and a small roadside sign. Caption: “CANNE’S THE CROISEITE, HEART FOUNDING.” 6. The woman viewed from behind looking up at a cinema or festival building sign with scribbled lettering. Caption: “THERE. HFE MANE. THE BOROO.^ THREE TIMES. TO BELIEVE IT.” 7. Red carpet hallway or grand interior: the woman stands in profile looking upward, surrounded by sketchy crowds on both sides and a red carpet leading forward. Caption: “TWENTY FOUR STEPS EVERY FLASH A TEAR OF WORK.” Bottom strip: Add one long horizontal red-orange bordered strip divided into exactly 10 small rectangular cells, each containing a tiny rough icon and a handwritten label beneath. From left to right: 1) small capsule/drive icon labeled “CAPYERA PRAME MOTION.”, 2) curved arrow and letters labeled “SI REEKE.”, 3) fast arrow mark with no separate large caption beyond the strip alignment, 4) diamond/eye shape labeled “DIRECTON.”, 5) small lips/oval icon with no extra caption, 6) tilted square labeled “FORCE”, 7) star labeled “CURRENT”, 8) outlined star labeled “MAGIC:”, 9) rounded rectangle labeled “APPEARANCE”, 10) small flag/lightning mark labeled “MAGIC”. Visual constraints: Keep all text hand-drawn, uneven, and slightly nonsensical as if drafted quickly in a storyboard notebook. Maintain muted handmade texture, no photorealism, no clean digital UI, no watermark, and do not add extra storyboard panels beyond the 6 main panels and 10 bottom icon cells.

从米兰到戛纳的 Storyboard 项目表

zh-CN

目标:创作一张手绘风格的电影感 Storyboard 项目表,讲述一名女性携带硬盘从米兰前往戛纳的故事,画面呈现为粗糙的铅笔加彩色铅笔制作项目风格。 画布:横向 16:9 米白色纸张背景,带有轻微纹理,呈现扫描后的速写本质感。所有 Storyboard 边框和底部图标栏均使用细红橙色边框。绘画风格为松散的石墨铅笔画,辅以柔和的淡蓝色、灰色、棕褐色和柔和的红色渲染;透视不完美,可见草稿线条,手写字体,并有意拼写错误的 Storyboard 注释。 页眉:在顶部用粗大且不均匀的黑色手写体写上“FROM MILANO TO CANNES - STORYBOBARD”。在右上角添加一个小的圆角矩形标签,内含手写文字“2 BOSIS → TO AVE”。 布局:使用 6 个主要的 Storyboard 面板,排列为 2 行 3 列。每个面板都有一个细红橙色矩形边框,下方配有简短的手写说明。面板编号依次为 1、2、3、4、6 和 7,保留跳号。使用一名重复出现的年轻女性主角,{argument name="character name" default="an unnamed woman"},留着齐肩深色头发,穿着简单的无袖或短袖上衣;她的面部可以模糊处理或仅进行极简刻画。 面板细节和说明: 1. 室内书桌场景:女性侧身坐在桌旁,桌上有打开的笔记本电脑、一个小碗或杯子,高大的窗户透出柔和的城市景观。说明:“FINAL CUT S AM, AND FEMJUER- OUR PBSY FILR IN A TOLAND AFSAGMENT”。 2. 手部特写,放在包或夹克上,旁边是一个带有标签的小硬盘或挂牌。说明:“ONE HARD DRIVE, ONE LANVARD UNE SHOT.” 3. 沿海公路到达场景,有棕榈树、蓝色的道路或大海,以及远处类似戛纳的建筑。说明:“THE GOAST UNROALS ITALY BECOMES FRANCE,”。 4. 戛纳克鲁瓦塞特大道(Croisette):从背后看女性,靠近棕榈树、一辆汽车、淡色的建筑立面和一个小的路边标志。说明:“CANNE’S THE CROISEITE, HEART FOUNDING.” 6. 从背后看女性,抬头仰望一个带有潦草字迹的电影院或电影节建筑标志。说明:“THERE. HFE MANE. THE BOROO.^ THREE TIMES. TO BELIEVE IT.” 7. 红毯走廊或宏伟的室内:女性侧身站立,向上看,周围是两侧草图风格的人群,红毯向前延伸。说明:“TWENTY FOUR STEPS EVERY FLASH A TEAR OF WORK.” 底部栏:添加一个长条状的红橙色边框区域,分为 10 个小矩形单元格,每个单元格内含一个小巧粗糙的图标,下方配有手写标签。从左到右:1) 小型胶囊/硬盘图标,标注“CAPYERA PRAME MOTION.”,2) 弯曲箭头和字母,标注“SI REEKE.”,3) 快速箭头标记,无额外大标题,4) 菱形/眼睛形状,标注“DIRECTON.”,5) 小嘴唇/椭圆图标,无额外说明,6) 倾斜正方形,标注“FORCE”,7) 星形,标注“CURRENT”,8) 轮廓星形,标注“MAGIC:”,9) 圆角矩形,标注“APPEARANCE”,10) 小旗帜/闪电标记,标注“MAGIC”。 视觉限制:所有文字保持手绘、不均匀且略显无意义,如同在 Storyboard 笔记本中快速草拟。保持柔和的手工质感,无照片级真实感,无整洁的数字 UI,无水印,除 6 个主要面板和 10 个底部图标单元格外,不得添加额外的 Storyboard 面板。

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