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电影级人物叙事分镜大片

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电影级人物叙事分镜大片 1
Brand & LogosOpenNanaNano Banana Pro图片brand-logos

电影级人物叙事分镜大片

请使用上传的照片作为唯一的视觉参考。 人物身份必须最大程度地保持准确:面部、面部特征、年龄、性别、身体比例和整体外貌必须保持不变。 请勿凭空捏造或添加原始图像中不存在的任何内容。 步骤 1:对源图像进行详细的视觉分析 首先,对上传的图像进行仔细的视觉分析,包括: 图像中的人物(人物、人数、在画面中的位置) 身体姿势和凝视方向 面部表情和情绪状态 服装和配饰 光照条件、时间、色温 环境、背景和空间深度 场景的整体情感基调 步骤 2:电影式 3×2 分镜网格 分析后,从单张图像中

Category
Brand & Logos
Model
Nano Banana Pro
Creator
@doctorwasif
Source language
zh-CN
Views51
Source ID
11007
Published
Apr 27, 2026
Use in StudioOpen source

Full prompt

Use the uploaded photograph as the only visual reference. The person’s identity must be preserved with maximum accuracy: face, facial features, age, gender, body proportions, and overall appearance must remain unchanged. Do not invent or add anything that does not exist in the original image. Step 1: Detailed visual analysis of the source image First, perform a careful visual analysis of the uploaded image, including: Who is in the image (person, number of people, position in frame) Body pose and direction of gaze Facial expression and emotional mood Clothing and accessories Lighting conditions, time of day, color temperature Environment, background, and depth of space Overall emotional tone of the scene Step 2: Cinematic 3×2 storyboard grid After the analysis, create a cinematic 3×2 grid (6 frames) from the single image, as if it were a sequence of shots from a film. Global requirements for the entire grid: Format: one image containing a 3×2 grid All frames must be numbered 1–6, left to right, top to bottom Visual style: realistic, cinematic, non-illustrative One consistent character and environment with logical continuity Each frame must differ by pose, camera angle, or camera distance The sequence should feel like time is passing and the scene is developing No facial distortion, no change in identity or appearance Frame descriptions: Frame 1 (No. 1) Wide establishing shot. The camera is farthest from the subject, showing the full environment and context. The person feels like part of the surrounding space. Frame 2 (No. 2) Medium shot. The camera moves closer. The pose changes slightly, revealing inner emotion or state of mind. Frame 3 (No. 3) Low-angle or side-angle shot. Adds drama or tension, emphasizing body shape and perspective. Frame 4 (No. 4) Close-up or medium close-up. Focus on the face, eyes, and emotion. Fine details are clearly visible. Frame 5 (No. 5) Dynamic angle: diagonal composition or camera movement. The pose changes the most, creating a sense of action or momentum. Frame 6 (No. 6) Final shot. Calm, reflective, or emotionally resolved. The camera may be closer or farther, but the frame feels like a conclusion. Lighting & cinematic consistency: Lighting must remain logically consistent across all frames, as if filmed in one continuous scene. Depth of field, lighting, and color grading should reinforce a cinematic look. Final result: The output should resemble a professional cinematic storyboard, captured in a single take and location, with strong realism and narrative flow.
Translations

电影级人物叙事分镜大片

en

Use the uploaded photograph as the only visual reference. The person’s identity must be preserved with maximum accuracy: face, facial features, age, gender, body proportions, and overall appearance must remain unchanged. Do not invent or add anything that does not exist in the original image. Step 1: Detailed visual analysis of the source image First, perform a careful visual analysis of the uploaded image, including: Who is in the image (person, number of people, position in frame) Body pose and direction of gaze Facial expression and emotional mood Clothing and accessories Lighting conditions, time of day, color temperature Environment, background, and depth of space Overall emotional tone of the scene Step 2: Cinematic 3×2 storyboard grid After the analysis, create a cinematic 3×2 grid (6 frames) from the single image, as if it were a sequence of shots from a film. Global requirements for the entire grid: Format: one image containing a 3×2 grid All frames must be numbered 1–6, left to right, top to bottom Visual style: realistic, cinematic, non-illustrative One consistent character and environment with logical continuity Each frame must differ by pose, camera angle, or camera distance The sequence should feel like time is passing and the scene is developing No facial distortion, no change in identity or appearance Frame descriptions: Frame 1 (No. 1) Wide establishing shot. The camera is farthest from the subject, showing the full environment and context. The person feels like part of the surrounding space. Frame 2 (No. 2) Medium shot. The camera moves closer. The pose changes slightly, revealing inner emotion or state of mind. Frame 3 (No. 3) Low-angle or side-angle shot. Adds drama or tension, emphasizing body shape and perspective. Frame 4 (No. 4) Close-up or medium close-up. Focus on the face, eyes, and emotion. Fine details are clearly visible. Frame 5 (No. 5) Dynamic angle: diagonal composition or camera movement. The pose changes the most, creating a sense of action or momentum. Frame 6 (No. 6) Final shot. Calm, reflective, or emotionally resolved. The camera may be closer or farther, but the frame feels like a conclusion. Lighting & cinematic consistency: Lighting must remain logically consistent across all frames, as if filmed in one continuous scene. Depth of field, lighting, and color grading should reinforce a cinematic look. Final result: The output should resemble a professional cinematic storyboard, captured in a single take and location, with strong realism and narrative flow.

电影级人物叙事分镜大片

zh-CN

请使用上传的照片作为唯一的视觉参考。 人物身份必须最大程度地保持准确:面部、面部特征、年龄、性别、身体比例和整体外貌必须保持不变。 请勿凭空捏造或添加原始图像中不存在的任何内容。 步骤 1:对源图像进行详细的视觉分析 首先,对上传的图像进行仔细的视觉分析,包括: 图像中的人物(人物、人数、在画面中的位置) 身体姿势和凝视方向 面部表情和情绪状态 服装和配饰 光照条件、时间、色温 环境、背景和空间深度 场景的整体情感基调 步骤 2:电影式 3×2 分镜网格 分析后,从单张图像中创建一个电影式 3×2 网格(6 帧),就像电影中的一系列镜头一样。 整个网格的总体要求: 格式:一张包含 3×2 网格的图像 所有帧必须按从左到右、从上到下的顺序编号 1–6 视觉风格:写实、电影感、非插画风格 一个连贯的角色和环境,具有逻辑上的连续性 每帧必须在姿势、摄像机角度或摄像机距离上有所不同 序列应给人时间流逝和场景发展的感觉 无面部扭曲,无身份或外貌改变 帧描述: 帧 1(第 1 帧) 广角建立镜头。 摄像机离主体最远,展示完整的环境和背景。 人物感觉像是周围空间的一部分。 帧 2(第 2 帧) 中景镜头。 摄像机移近。 姿势略有变化,揭示内在情绪或心境。 帧 3(第 3 帧) 低角度或侧角度镜头。 增加戏剧性或张力,强调身体形状和透视。 帧 4(第 4 帧) 特写或中特写。 聚焦于面部、眼睛和情感。 细节清晰可见。 帧 5(第 5 帧) 动态角度:对角构图或摄像机运动。 姿势变化最大,营造出动作或动感。 帧 6(第 6 帧) 最终镜头。 平静、沉思或情绪得到解决。 摄像机可能更近或更远,但画面给人一种结局的感觉。 灯光和电影感一致性: 所有帧的灯光必须保持逻辑上的一致性,如同在一个连续场景中拍摄。 景深、灯光和色彩分级应强化电影感。 最终结果: 输出应类似于专业的电影分镜图,如同在一次拍摄和同一地点完成,具有强烈的真实感和叙事流畅性。

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