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浮世绘匠人雕琢的超写实侧颜

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浮世绘匠人雕琢的超写实侧颜 1
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浮世绘匠人雕琢的超写实侧颜

以所附的女性图片为模型。一张侧面肖像。左侧面,表情冷静而睿智。半身构图。 女性的面部和皮肤必须保持完全逼真的摄影质量。这是最高优先级,确保没有插画或动漫风格。超高清纹理,每个毛孔、细发、睫毛和耳软骨的半透明度都清晰可见。 背景和装饰元素融合了都市、工业和浮世绘(日本木刻版画)风格。网格线和测量线贯穿整个画面,但部分网格线转化为葛饰北斋海浪的曲线。笔直的设计线条在某个点突然变成波峰的汹涌。数字和比例标记与垂直的日文文本混合在一起。 背景中锐利的几何三角形和线条是靛蓝色,与浮世绘

Category
Posters & Typography
Model
Nano Banana Pro
Creator
@lovart_jp
Source language
zh-CN
Views69
Source ID
13071
Published
Apr 9, 2026
Use in StudioOpen source

Full prompt

Model the image after the attached image of a woman. A profile portrait. Left-facing profile with a cool, intelligent expression. Bust-up composition. The woman's face and skin must maintain completely photorealistic photographic quality. This is the highest priority, ensuring no illustration or anime style. Ultra-high-definition texture where every pore, fine hair, eyelash, and the translucency of the ear cartilage is visible. The background and decorative elements are a fusion of urban, industrial, and Ukiyo-e (Japanese woodblock print). Grid lines and measurement lines run across the entire screen, but parts of the grid transform into the curves of Hokusai's waves. Straight design lines suddenly change into the swell of wave crests at a certain point. Numerical and scale notations are mixed with vertical Japanese text. The sharp geometric triangles and lines placed in the background are indigo blue, the same deep blue as Ukiyo-e aizuri (indigo printing). Woodblock print wave patterns and swirling motifs are visible through the interior of the triangles. Geometry and Ukiyo-e patterns coexist in a single frame. Miniature-sized people are working on the woman's face and contours. They are Edo-period Ukiyo-e carvers and printers, carving the woodblock with small chisels and printing on washi paper with baren. The Ukiyo-e artisans are wearing indigo kimonos. Small scaffolding and ladders are erected along the contours of the face. The outline of the woman's profile is, in some parts, a sharp digital vector line, and in other parts, an Ukiyo-e outline drawn with ink and brush. Two line drawing techniques intersect on one person's face. Ink splatters and droplets are scattered across the entire screen, with indigo ink splatters and vermilion splatters mixed in with black ink splatters. The grunge texture is a combination of concrete wall texture and washi paper fiber texture. Absolutely no characters, text, typography, Japanese strings, seals, stamps, hanko, or signatures are included in the image. Lighting features dramatic shadows with strong contrast. Hard light from the left side of the screen makes the profile contour stand out clearly with distinct light and shadow. Film grain. Ultra-high resolution. Sharp. Art poster style.
Translations

浮世绘匠人雕琢的超写实侧颜

en

Model the image after the attached image of a woman. A profile portrait. Left-facing profile with a cool, intelligent expression. Bust-up composition. The woman's face and skin must maintain completely photorealistic photographic quality. This is the highest priority, ensuring no illustration or anime style. Ultra-high-definition texture where every pore, fine hair, eyelash, and the translucency of the ear cartilage is visible. The background and decorative elements are a fusion of urban, industrial, and Ukiyo-e (Japanese woodblock print). Grid lines and measurement lines run across the entire screen, but parts of the grid transform into the curves of Hokusai's waves. Straight design lines suddenly change into the swell of wave crests at a certain point. Numerical and scale notations are mixed with vertical Japanese text. The sharp geometric triangles and lines placed in the background are indigo blue, the same deep blue as Ukiyo-e aizuri (indigo printing). Woodblock print wave patterns and swirling motifs are visible through the interior of the triangles. Geometry and Ukiyo-e patterns coexist in a single frame. Miniature-sized people are working on the woman's face and contours. They are Edo-period Ukiyo-e carvers and printers, carving the woodblock with small chisels and printing on washi paper with baren. The Ukiyo-e artisans are wearing indigo kimonos. Small scaffolding and ladders are erected along the contours of the face. The outline of the woman's profile is, in some parts, a sharp digital vector line, and in other parts, an Ukiyo-e outline drawn with ink and brush. Two line drawing techniques intersect on one person's face. Ink splatters and droplets are scattered across the entire screen, with indigo ink splatters and vermilion splatters mixed in with black ink splatters. The grunge texture is a combination of concrete wall texture and washi paper fiber texture. Absolutely no characters, text, typography, Japanese strings, seals, stamps, hanko, or signatures are included in the image. Lighting features dramatic shadows with strong contrast. Hard light from the left side of the screen makes the profile contour stand out clearly with distinct light and shadow. Film grain. Ultra-high resolution. Sharp. Art poster style.

浮世绘匠人雕琢的超写实侧颜

zh-CN

以所附的女性图片为模型。一张侧面肖像。左侧面,表情冷静而睿智。半身构图。 女性的面部和皮肤必须保持完全逼真的摄影质量。这是最高优先级,确保没有插画或动漫风格。超高清纹理,每个毛孔、细发、睫毛和耳软骨的半透明度都清晰可见。 背景和装饰元素融合了都市、工业和浮世绘(日本木刻版画)风格。网格线和测量线贯穿整个画面,但部分网格线转化为葛饰北斋海浪的曲线。笔直的设计线条在某个点突然变成波峰的汹涌。数字和比例标记与垂直的日文文本混合在一起。 背景中锐利的几何三角形和线条是靛蓝色,与浮世绘的“蓝摺”(靛蓝印刷)深蓝色相同。木刻波浪图案和漩涡图案透过三角形内部可见。几何图形和浮世绘图案在同一画面中并存。 微型人物在女性的面部和轮廓上工作。他们是江户时代的浮世绘雕刻师和印刷师,用小凿子雕刻木板,并用马莲在和纸上印刷。这些浮世绘工匠穿着靛蓝色和服。小型的脚手架和梯子沿着面部轮廓搭建。 女性侧面轮廓的线条,部分是锐利的数字矢量线,部分是墨水和画笔绘制的浮世绘轮廓。两种线条绘制技术在同一个人的脸上交织。 墨滴和墨点散落在整个画面中,靛蓝色墨滴和朱红色墨滴与黑色墨滴混合在一起。粗糙的纹理是混凝土墙纹理和和纸纤维纹理的结合。 图片中绝对不包含任何字符、文本、排版、日文字符串、印章、图章、判子或签名。 灯光呈现出戏剧性的阴影,对比强烈。屏幕左侧的硬光使侧面轮廓清晰突出,光影分明。电影颗粒感。超高分辨率。锐利。艺术海报风格。

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