建构主义朋克拼贴海报

Create a single avant-garde photomontage poster using REFERENCE_0 as the main subject and raw photo material, with REFERENCE_1 only as additional nightlife/flash-photography texture inspiration if needed. Transform the reference into a fusion of 1920s constructivist design and 1970s punk-zine collage: the tension between a clean geometric grid and rough cut-and-paste paper should be the main visual idea. Canvas and composition: Make a vertical poster with aged off-white paper, rough torn blackened edges, visible grain, scuffs, folds, and xerox texture. Reuse the woman from REFERENCE_0 as cropped photo fragments rather than a normal portrait. Arrange exactly 3 photographic cutouts: 1 small tilted street-photo cutout on the left, 1 large tilted close-up cutout in the upper right, and 1 tall narrow shard-like cutout through the lower center. Keep the original neon-night mood inside the photos but recolor it into a limited red, black, cream, and muted flesh-toned palette. Graphic additions: Add bold constructivist geometry around the collage: exactly 1 large red circle behind the upper-right portrait, exactly 1 small red dot near the bottom right, black diagonal bands/blocks, sharp cream triangular separations, and angular white borders between the photo shards. Add pieces of beige masking tape and torn newsprint scraps to make the collage feel physically pasted together. Typography: Add large slanted block text reading {argument name="headline text" default="POP"} in the upper left, with mixed black and red letters. Add a ransom-note style date reading {argument name="date text" default="1924"} in the lower right, each character on separate paper tiles with one red tile. Include one tiny torn-newspaper caption scrap on the left with the text {argument name="scrap quote" default="The streets are full of noise and nonsense."} Style constraints: High-contrast poster design, screenprint ink, photocopied punk flyer texture, imperfect alignment, cut-paper shadows, distressed paper fibers, no glossy modern polish, no extra people, no additional readable text beyond the specified 3 text elements.

使用 REFERENCE_0 作为主体和原始照片素材，仅在需要时将 REFERENCE_1 作为夜生活/闪光摄影纹理灵感，创作一张前卫的照片蒙太奇海报。将参考图转换为 20 世纪 20 年代建构主义设计与 1970 年代朋克杂志拼贴的融合体：干净的几何网格与粗糙的剪贴纸张之间的张力应作为核心视觉理念。 画布与构图：制作一张垂直海报，采用陈旧的米白色纸张，带有粗糙撕裂的黑色边缘、可见的颗粒感、磨损、折痕和静电复印纹理。将 REFERENCE_0 中的女性作为裁剪后的照片碎片使用，而非普通的肖像。排列 3 个照片剪贴：左侧 1 个倾斜的小型街拍剪贴，右上角 1 个倾斜的大型特写剪贴，以及贯穿下方的 1 个细长碎片剪贴。保留照片内原有的霓虹夜色氛围，但将其重新着色为有限的红、黑、奶油色和柔和肤色调。 图形添加：在拼贴画周围添加大胆的建构主义几何图形：右上角肖像后方放置 1 个大红圆，右下角附近放置 1 个小红点，黑色对角带/块，尖锐的奶油色三角形分割，以及照片碎片之间棱角分明的白色边框。添加米色美纹纸胶带碎片和撕碎的报纸残片，使拼贴画呈现出物理粘贴的质感。 排版：在左上角添加大号倾斜块状文字 {argument name="headline text" default="POP"}，使用黑红混合字母。在右下角添加“勒索信”风格的日期 {argument name="date text" default="1924"}，每个字符位于独立的纸片上，其中包含一个红色纸片。在左侧包含一个微小的撕裂报纸标题碎片，文字为 {argument name="scrap quote" default="The streets are full of noise and nonsense."}。 风格约束：高对比度海报设计、丝网印刷油墨、复印朋克传单纹理、不对齐的排版、剪纸阴影、做旧纸张纤维，拒绝光泽的现代感，不包含额外人物，除指定的 3 处文本元素外，不包含任何额外的可读文字。