1940s film-noir still
A 1940s film-noir black-and-white movie still, landscape 16:9, high contrast. Shot on 35mm with visible grain. Scene: a detective in trench coat and fedora stands alone at a rain-
- 分类
- 场景叙事
- 模型
- GPT Image 2
- 来源作者
- wuyoscar
- 原始语言
- en
- 来源 ID
- 027
完整提示词
A 1940s film-noir black-and-white movie still, landscape 16:9, high contrast. Shot on 35mm with visible grain. Scene: a detective in trench coat and fedora stands alone at a rain-soaked street corner at 2 a.m., cigarette in hand, smoke curling upward. Wet cobblestones reflecting a single buzzing street lamp. A "HOTEL" neon sign on brick facade with letters "HOTE_" (the L flickered out). A vintage 1946 sedan parked at the curb, tail-lights glowing through drizzle. Lighting: classic chiaroscuro — single hard key light above right, venetian-blind shadows on the wall behind him. Deep blacks, silvered highlights, full tonal range from pure white to pure black. No colour. Frame should feel lifted from "The Maltese Falcon", "Double Indemnity", or "The Third Man".
多语言版本
1940s film-noir still
enA 1940s film-noir black-and-white movie still, landscape 16:9, high contrast. Shot on 35mm with visible grain. Scene: a detective in trench coat and fedora stands alone at a rain-soaked street corner at 2 a.m., cigarette in hand, smoke curling upward. Wet cobblestones reflecting a single buzzing street lamp. A "HOTEL" neon sign on brick facade with letters "HOTE_" (the L flickered out). A vintage 1946 sedan parked at the curb, tail-lights glowing through drizzle. Lighting: classic chiaroscuro — single hard key light above right, venetian-blind shadows on the wall behind him. Deep blacks, silvered highlights, full tonal range from pure white to pure black. No colour. Frame should feel lifted from "The Maltese Falcon", "Double Indemnity", or "The Third Man".
